|
|
||||||||
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
EDITORIAL |
Robert Sember is with the Department of Sociomedical Sciences in the Mailman School of Public Health at Columbia University, New York, NY. David Gere is with the Department of World Arts and Cultures at the University of California, Los Angeles, Los Angeles.
Correspondence: Requests for reprints should be sent to Robert Sember, PhD, Department of Sociomedical Sciences, Mailman School of Public Health, Columbia University, 722 West 168th Street, 9th floor, New York, NY 10032 (e-mail: res47@columbia.edu).
|
|||
Those who review the vast historical archive of the AIDS epidemic will find there a wealth of visual images that testify to the events, messages, meanings, strategies, and emotions of the past 25 years. In some remarkable cases, these images, with a little effort on the part of the viewer, are able to produce analyses and suggest actions in response to the epidemic that are no less relevant now than they were at the time of their creation. This is the case with the image on the cover of this months issue of the American Journal of Public Health.
The
| HOME | HELP | FEEDBACK | SUBSCRIPTIONS | ARCHIVE | SEARCH | TABLE OF CONTENTS |